Description

THE NEW YORK TIMES BESTSELLER

The renowned author returns with a timely book about his journeys to three sites of conflict – Dakar, South Carolina, and Palestine – exploring how the stories we tell, and the ones we don’t, shape our realities.

‘An earnest and intimate exploration of locations of extreme injustice’ Oprah Daily

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Ta-Nehisi Coates originally set out to write a book about writing, but soon found himself grappling with deeper questions about the destructive myths that shape our world.

First we join Coates on his inaugural trip to Africa – a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination.

He then takes readers to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology – visibly on display in its segregationist statues.

Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground.

Written at a dramatic moment in American and global history, this work from one of our most important writers is about the urgent need to embrace the liberating power of even the most difficult truths.

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‘Coates exhorts readers, including students, parents, educators, and journalists, to challenge conventional narratives that can be used to justify ethnic cleansing or camouflage racist policing’ Booklist

‘Coats always writes with purpose . . . These pilgrimages for him, ground his powerful writing about race’ Associated Press

Publisher Review

The Message charts Coates’s re-entry as a public intellectual . . . The rolling, elegiac cadences of much of his earlier work have yielded to a fury that’s harder edged. But a sense of shock also seems to have elicited in Coates a sense of possibility . . . [Coates] is using his position of prominence and moral authority to draw attention to the plight of Palestinians. Having lived the life of the famous Black writer in mostly white professional spaces, someone who has been both venerated and vilified, he finds in his new community “the warmth of solidarity.” Instead of being the singular voice or the incomparable expert, Coates offers himself as an ally * New York Times * A revelatory meditation on shattering journeys . . . Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual * Kirkus (starred review) * Ever since his Baldwin-inflected Between the World and Me, Coates has been known for his incisive (and sometimes uncomfortable) cultural and political commentary. Here he journeys from West Africa to the American South to Palestine to examine how the stories we tell can fail us, and to argue that only the truth can bring justice * The Boston Globe * An earnest and intimate exploration of locations of extreme injustice, and of the power of writing to render a more compassionate-and more honest-future . . . At once a rallying cry and a love letter to writing itself, the book is an urgent reminder that “politics is the art of the possible, but art creates the possible of politics * Oprah Daily * Brilliant and timely . . . Coates presents three blazing essays on race, moral complicity, and a storyteller’s responsibility to the truth. . . . Coates exhorts readers, including students, parents, educators, and journalists, to challenge conventional narratives that can be used to justify ethnic cleansing or camouflage racist policing * Booklist (starred review) * In a series of three sweeping essays that take readers through Senegal, South Carolina, Palestine, and Israel, acclaimed social writer Ta-Nehisi Coates examines the myths that animate and guide us-often at the expense of the truth. The Message marks Coates’ first non-fiction book in nearly a decade, and it arrives at a critical flashpoint in our increasingly globalized society * Harper’s Bazaar *